Reviving Judy Garland's "Merry Christmas"

In her 1949 MGM film, In the Good Old Summertime, Judy Garland sings a lovely but oft-overlooked Christmas song appropriately titled, “Merry Christmas.” Fred Spielman, who had been a prominent cabaret pianist in pre-Anschluss Vienna, wrote the music and Yale-drama alumna Janice Torré wrote the lyric — a partnership that later produced the songs for The Stingiest Man in Town, a musical version of Dickens’ A Christmas Carol.

It was released on an MGM Records album but, to my knowledge, Judy never sang it again after she recorded it for the movie on November 16th, 1948. Perhaps the song’s passing similarity to her earlier hit, “Have Yourself a Merry Little Christmas,” prevented it from becoming more widely known. Nevertheless, the arrangement had long been on my wishlist for restoration, so when Joelle Graves, the Executive Director of the Rogue Valley Symphony in Ashland, Oregon, asked me to create a holiday pops concert for them entitled A Judy Garland Christmas for December 2025, I knew the time was at hand.

Three Judy Garland Songs You May Not Have Heard

It kind of feels like every day is Judy Garland’s centennial in our house, since, on any given day, chances are I’m either knee-deep in restoring one of her original orchestral arrangements or practicing to sing a whole bunch of them with an orchestra. But a little extra celebration is definitely in order this year, so after you’ve baked a cake, finished watching all her movies, and listened to the Carnegie Hall album, here are three recordings that are far enough off-the-beaten-path that even some long-time Garland fans may not have come across them. All of them are personal favorites, and I hope you enjoy them, too!

“Yes”: My Journey into the Wonderful World of Orchestration and Meeting Some Wizards

During the past five months I’ve been on a very steep learning curve — actually, more like something involving tornadoes and the yellow brick road — but on January 21st I’m going to get to share with 2000 people some of the results of the arduous journey: I’m going to get to sing two of Judy Garland’s original arrangements onstage with a symphony orchestra.

Of course, I’ve been singing Judy’s tunes with orchestras for a few years now, in wonderful arrangements based on the originals by two terrific arrangers (see an earlier post, "Getting Happy"). But for someone like me who loves time travel and Judy, suddenly having access to the actual note-for-note arrangements that we’ve all heard on her albums was an incredible stroke of good fortune that I’d never even allowed myself to hope for.

Here’s how it happened: